1 00:00:12,067 --> 00:00:14,133 PREVIOUSLY ON "DESPERATE HOUSEWIVES"... 2 00:00:14,167 --> 00:00:15,833 TURNS OUT SOMEONE HURT HER. I WANT THEM DEAD. 3 00:00:15,867 --> 00:00:17,533 SOMETIMES... 4 00:00:17,567 --> 00:00:19,667 I'M RUNNING OUT OF MONEY. I'M GOING TO BE SCREWED. 5 00:00:19,700 --> 00:00:22,467 YOU MIGHT WANT TO THINK ABOUT LOOKING FOR A JOB. HA. 6 00:00:22,500 --> 00:00:23,333 THE ANSWERS... 7 00:00:23,367 --> 00:00:24,767 IF YOU COULD JUST TELL ME 8 00:00:24,800 --> 00:00:26,300 WHAT HE TOLD YOU, THEN I COULD FIX THE PROBLEM. 9 00:00:26,333 --> 00:00:27,200 I CAN'T DO THAT. 10 00:00:27,233 --> 00:00:29,133 TO LIFE'S BIGGEST QUESTIONS... 11 00:00:29,167 --> 00:00:31,100 Mary Alice: I HAD THE NIGHTMARE AGAIN. 12 00:00:31,133 --> 00:00:32,133 Dr. Goldfine: WHAT DO YOU THINK THE SIGNIFICANCE 13 00:00:32,167 --> 00:00:33,200 OF THE NAME ANGELA IS? 14 00:00:33,233 --> 00:00:35,033 ACTUALLY, THAT'S MY REAL NAME. 15 00:00:35,067 --> 00:00:35,767 ARE BURIED... 16 00:00:35,800 --> 00:00:36,933 SHE HASN'T BEEN DEAD A MONTH, 17 00:00:36,967 --> 00:00:38,733 AND IT'S LIKE YOU'VE TOTALLY FORGOTTEN SHE EVER EXISTED. 18 00:00:38,767 --> 00:00:40,200 UNDER EVEN BIGGER LIES. 19 00:00:40,233 --> 00:00:42,733 ZACH WAS TELLING JULIE ABOUT WHAT HAPPENED TO DANA. 20 00:00:42,767 --> 00:00:44,233 HE DIDN'T MEAN TO KILL DANA. 21 00:00:47,833 --> 00:00:49,800 Lynette: OOH. 22 00:00:49,833 --> 00:00:51,600 Mary Alice: MOST MOTHERS WILL TELL YOU 23 00:00:51,633 --> 00:00:54,333 THEIR CHILDREN ARE A GIFT FROM GOD. 24 00:00:54,367 --> 00:00:56,133 MOST MOTHERS WILL ALSO TELL YOU 25 00:00:56,167 --> 00:00:58,433 THAT THE GIFTS THEIR CHILDREN GIVE THEM 26 00:00:58,467 --> 00:01:01,600 ARE LESS THAN HEAVENLY. 27 00:01:01,633 --> 00:01:07,667 LYNETTE HAD SUFFERED THROUGH ARTWORK MADE IN KINDERGARTEN... 28 00:01:07,700 --> 00:01:12,233 SPICE RACKS MADE IN SUMMER CAMP... 29 00:01:12,267 --> 00:01:16,333 AND JEWELRY MADE AT THE SCOUT JAMBOREE. 30 00:01:16,367 --> 00:01:20,467 BUT THIS DAY, LYNETTE SCAVO RECEIVED A GIFT 31 00:01:20,500 --> 00:01:22,633 EVERY MOTHER DREAMS OF -- 32 00:01:22,667 --> 00:01:25,533 ONE SHE WASN'T EMBARRASSED TO DISPLAY. 33 00:01:25,567 --> 00:01:27,300 WHERE'D YOU GUYS GET THIS POT? 34 00:01:27,333 --> 00:01:28,667 WE MADE IT. 35 00:01:28,700 --> 00:01:29,833 REALLY? 36 00:01:29,867 --> 00:01:31,400 I LOVE IT. 37 00:01:31,433 --> 00:01:33,300 WELL, THIS IS THE NICEST PRESENT 38 00:01:33,333 --> 00:01:35,667 YOU BOYS HAVE EVER GIVEN ME. 39 00:01:35,700 --> 00:01:36,633 AND YOU KNOW WHAT? 40 00:01:36,667 --> 00:01:38,633 I'M GOING TO PUT IT OUT ON THE FRONT PORCH 41 00:01:38,667 --> 00:01:40,433 SO THE WHOLE NEIGHBORHOOD CAN ENJOY IT. 42 00:01:40,467 --> 00:01:45,100 LYNETTE KNEW SHE'D CHERISH THE MEMORY OF THAT MOMENT 43 00:01:45,133 --> 00:01:48,600 FOR THE REST OF HER LIFE. 44 00:01:48,633 --> 00:01:52,667 THE MEMORY OF THAT MOMENT WAS RUINED THE VERY NEXT DAY. 45 00:01:58,700 --> 00:01:59,467 MRS. McCLUSKEY, 46 00:01:59,500 --> 00:02:01,633 WHY ARE YOU TAKING MY FLOWERPOT? 47 00:02:01,667 --> 00:02:03,100 BECAUSE IT'S MINE. 48 00:02:03,133 --> 00:02:04,267 YOUR BOYS STOLE IT OFF MY PORCH. 49 00:02:04,300 --> 00:02:05,233 NO, NO, NO. 50 00:02:05,267 --> 00:02:08,167 MY SONS MADE THAT FOR ME FOR VALENTINE'S DAY. 51 00:02:08,200 --> 00:02:10,633 I BOUGHT THIS IN COSTA RICA ON MY LAST CRUISE. 52 00:02:10,667 --> 00:02:12,167 YOU SEE? 53 00:02:12,200 --> 00:02:14,567 IT'S STILL GOT THE PRICE TAG ON IT. 54 00:02:14,600 --> 00:02:16,167 LOOK. 55 00:02:16,200 --> 00:02:18,333 WHAT? NOTHING MORE TO SAY? 56 00:02:18,367 --> 00:02:19,533 CAT GOT YOUR TONGUE? 57 00:02:19,567 --> 00:02:21,433 YOU LISTEN TO ME -- 58 00:02:21,467 --> 00:02:22,733 KEEP YOUR BRATS OFF MY PROPERTY. 59 00:02:22,767 --> 00:02:25,400 YES, MOST MOTHERS WILL TELL YOU 60 00:02:25,433 --> 00:02:28,833 THEIR CHILDREN ARE A GIFT FROM GOD. 61 00:02:28,867 --> 00:02:31,833 MOST MOTHERS WILL ALSO TELL YOU 62 00:02:31,867 --> 00:02:33,733 THERE ARE SOME DAYS 63 00:02:33,767 --> 00:02:36,500 WHEN YOU WISH YOU COULD RETURN THEM. 64 00:03:16,067 --> 00:03:18,167 Mary Alice: IT WAS THE DAY BEFORE VALENTINE'S DAY, 65 00:03:18,200 --> 00:03:20,567 AND EVERY MAN ON WISTERIA LANE WAS PREPARING 66 00:03:20,600 --> 00:03:23,167 FOR THIS MOST DANGEROUS OF HOLIDAYS. 67 00:03:23,200 --> 00:03:28,300 WHILE SOME PURCHASED ROMANTIC CARDS... 68 00:03:28,333 --> 00:03:33,433 AND SOME BROUGHT HOME CANDY AND FLOWERS... 69 00:03:33,467 --> 00:03:35,433 AND SOME MADE DINNER RESERVATIONS 70 00:03:35,467 --> 00:03:37,433 AT FANCY RESTAURANTS... 71 00:03:37,467 --> 00:03:42,533 OTHERS MANAGED TO FORGET ABOUT THE DAY ENTIRELY... 72 00:03:42,567 --> 00:03:44,233 AGAIN. 73 00:03:44,267 --> 00:03:46,633 THIS FLURRY OF ACTIVITY 74 00:03:46,667 --> 00:03:50,600 WAS LOST ON THE WOMEN OF WISTERIA LANE. 75 00:03:50,633 --> 00:03:53,500 THEY WERE BUSY LEARNING A SECRET ABOUT THEIR NEIGHBORS -- 76 00:03:53,533 --> 00:03:58,133 A SECRET THAT WAS POSITIVELY HEARTBREAKING. 77 00:03:58,167 --> 00:04:01,133 SO PAUL SAID THAT ZACHARY KILLED DANA? 78 00:04:01,167 --> 00:04:02,700 YEAH. 79 00:04:02,733 --> 00:04:04,267 WELL, IT MUST HAVE BEEN SOME SORT OF ACCIDENT. 80 00:04:04,300 --> 00:04:06,167 I MEAN, LITTLE BOYS DON'T JUST KILL THEIR BABY SISTERS. 81 00:04:06,200 --> 00:04:08,533 WELL, WHATEVER IT WAS, THAT BOY IS SERIOUSLY DISTURBED, 82 00:04:08,567 --> 00:04:10,433 AND I'VE FORBIDDEN JULIE FROM HANGING OUT WITH HIM. 83 00:04:10,467 --> 00:04:12,367 COULD YOU HOLD HER? 84 00:04:12,400 --> 00:04:13,500 SO THIS IS IT. 85 00:04:13,533 --> 00:04:14,800 THIS IS THE SECRET 86 00:04:14,833 --> 00:04:16,600 THAT MARY ALICE WAS TRYING TO PROTECT. 87 00:04:16,633 --> 00:04:18,500 THINK OF THE GUILT THAT SHE MUST HAVE LIVED WITH. 88 00:04:18,533 --> 00:04:20,367 YOU KNOW, I NEVER THOUGHT I'D SAY THIS, 89 00:04:20,400 --> 00:04:22,133 BUT I KIND OF FEEL SORRY FOR PAUL. 90 00:04:22,167 --> 00:04:23,500 I WISH I COULD. 91 00:04:23,533 --> 00:04:25,333 I STILL FEEL LIKE SOMETHING'S NOT RIGHT. 92 00:04:25,367 --> 00:04:26,700 WHAT DO YOU MEAN? 93 00:04:26,733 --> 00:04:28,333 WELL, WE'VE ALL BEEN IN THEIR HOUSE. 94 00:04:28,367 --> 00:04:30,600 HAVE YOU EVER SEEN A PICTURE OF ANOTHER KID THERE? 95 00:04:30,633 --> 00:04:32,600 I MEAN, WHY KEEP DANA'S BABY BLANKET 96 00:04:32,633 --> 00:04:34,400 AND THROW OUT ALL THE PHOTOS? 97 00:04:34,433 --> 00:04:36,267 THAT'S A GOOD POINT. 98 00:04:36,300 --> 00:04:38,233 WE NEVER ANSWERED WHY MARY ALICE REFERRED TO HERSELF 99 00:04:38,267 --> 00:04:40,133 AS ANGELA IN THAT THERAPY SESSION. 100 00:04:40,167 --> 00:04:42,400 ALL I KNOW IS THIS -- MARY ALICE LOVED ZACH 101 00:04:42,433 --> 00:04:44,233 MORE THAN ANYTHING IN THE WORLD. 102 00:04:44,267 --> 00:04:46,800 WHEN YOU LOVE A CHILD THAT MUCH... 103 00:04:46,833 --> 00:04:50,733 YOU'RE CAPABLE OF DOING ALL SORTS OF THINGS. 104 00:04:54,533 --> 00:04:56,067 YEAH. 105 00:05:01,367 --> 00:05:03,333 [ KNOCK ON DOOR ] 106 00:05:03,367 --> 00:05:05,100 HELLO. 107 00:05:05,133 --> 00:05:07,467 THESE WERE DELIVERED TO MY HOUSE BY MISTAKE. 108 00:05:07,500 --> 00:05:09,233 MAY I? 109 00:05:09,267 --> 00:05:11,300 THEY'RE FOR MARY ALICE YOUNG. 110 00:05:11,333 --> 00:05:14,300 OH, MY GOD. 111 00:05:14,333 --> 00:05:16,533 I, UH... 112 00:05:16,567 --> 00:05:18,767 HAD A STANDING ORDER WITH THE FLORIST. I... 113 00:05:18,800 --> 00:05:20,467 FORGOT TO CANCEL IT. 114 00:05:21,800 --> 00:05:23,433 MARY ALICE WAS MY WIFE. 115 00:05:23,467 --> 00:05:25,633 SHE PASSED AWAY A FEW MONTHS AGO. 116 00:05:28,400 --> 00:05:30,200 I'M VERY SORRY FOR YOUR LOSS. 117 00:05:30,233 --> 00:05:32,767 AND I'M SORRY FOR YOURS. 118 00:05:32,800 --> 00:05:33,800 PARDON? 119 00:05:33,833 --> 00:05:36,700 YOUR SISTER -- MARTHA? 120 00:05:36,733 --> 00:05:39,733 OH, YES. 121 00:05:39,767 --> 00:05:42,067 HER. 122 00:05:43,500 --> 00:05:46,333 GOOD LORD, THAT'S ANGELA. 123 00:05:46,367 --> 00:05:48,400 WHAT? 124 00:05:48,433 --> 00:05:50,400 ANGELA FORREST. WE WORKED TOGETHER IN UTAH. 125 00:05:50,433 --> 00:05:53,767 IT MUST BE 15 YEARS AGO. 126 00:05:53,800 --> 00:05:57,433 I'M AFRAID YOU'RE MISTAKEN. MY WIFE'S NAME WAS MARY ALICE. 127 00:05:57,467 --> 00:05:59,733 SHE'S NEVER BEEN TO UTAH. 128 00:06:02,167 --> 00:06:04,200 WELL, I COULD BE MISTAKEN. 129 00:06:04,233 --> 00:06:05,833 AS I SAID, IT'S -- 130 00:06:05,867 --> 00:06:08,067 IT'S BEEN YEARS. 131 00:06:13,667 --> 00:06:16,800 NO, MICKEY, YOU'RE WRONG. I WASN'T ACTING LIKE A DIVA. 132 00:06:16,833 --> 00:06:18,433 I LEFT THE BOAT SHOW 133 00:06:18,467 --> 00:06:21,667 BECAUSE THAT COORDINATOR WAS MAKING PASSES AT ME. 134 00:06:21,700 --> 00:06:23,533 I MEAN, IT'S NOT MY FAULT. 135 00:06:23,567 --> 00:06:25,500 YAO LIN, YOU MISSED A SPOT. 136 00:06:25,533 --> 00:06:28,067 NO, SPARE ME THE LECTURE 137 00:06:28,067 --> 00:06:29,733 AND JUST BOOK ME ANOTHER JOB QUICK. 138 00:06:29,767 --> 00:06:31,600 CARLOS AND I ARE UP TO OUR ASSES IN BILLS, 139 00:06:31,633 --> 00:06:33,333 AND WE CAN'T PAY THEM. 140 00:06:33,367 --> 00:06:34,700 FINE. 141 00:06:34,733 --> 00:06:37,167 BYE. 142 00:06:37,200 --> 00:06:40,533 [ SPEAKS CHINESE ] 143 00:06:40,567 --> 00:06:43,800 WHAT DID YOU SAY? 144 00:06:43,833 --> 00:06:46,833 NOTHING. 145 00:06:46,867 --> 00:06:50,067 ARE YOU GOING TO CLEAN THAT SPOT? 146 00:06:50,100 --> 00:06:51,433 WHICH ONE? 147 00:06:51,467 --> 00:06:53,333 THE ONE I TOLD YOU TO CLEAN. 148 00:06:53,367 --> 00:06:56,233 I'LL GET TO IT. 149 00:07:04,467 --> 00:07:06,267 CLEAN IT NOW. 150 00:07:06,300 --> 00:07:08,133 WHY? 151 00:07:08,167 --> 00:07:10,500 BECAUSE I SAID SO. 152 00:07:10,533 --> 00:07:12,600 OKAY. 153 00:07:12,633 --> 00:07:15,467 BUT YOU'VE GOT TO SAY PLEASE. 154 00:07:17,567 --> 00:07:19,267 FINE. 155 00:07:19,300 --> 00:07:21,567 PLEASE. 156 00:07:24,067 --> 00:07:25,800 ANYTHING TO GET YOU BACK ON YOUR KNEES SCRUBBING 157 00:07:25,833 --> 00:07:27,233 WHERE YOU BELONG. 158 00:07:27,267 --> 00:07:30,700 YOU ARE NOT BETTER THAN ME! 159 00:07:30,733 --> 00:07:32,567 EXCUSE ME? 160 00:07:32,600 --> 00:07:35,567 THE ONLY REASON YOU HAVE ANYTHING IN YOUR LIFE 161 00:07:35,600 --> 00:07:37,833 IS BECAUSE YOU'RE PRETTY. 162 00:07:37,867 --> 00:07:40,333 ONE DAY YOU WILL BE OLD, AND WHEN THAT HAPPENS, 163 00:07:40,367 --> 00:07:42,133 YOU'LL BE NOTHING. 164 00:07:42,167 --> 00:07:43,667 HA HA. 165 00:07:43,700 --> 00:07:46,833 YOU ARE SO FIRED. 166 00:07:46,867 --> 00:07:50,100 NO KIDDING. 167 00:07:58,433 --> 00:08:01,433 OOH, VALENTINE'S DAY CARD. IT'S PRETTY. 168 00:08:01,467 --> 00:08:03,433 AND METICULOUSLY HAND-PAINTED. 169 00:08:03,467 --> 00:08:05,667 WHOEVER SENT YOU THAT MUST REALLY LOVE YOU... 170 00:08:05,700 --> 00:08:08,167 AND BE LOADED WITH TALENT. 171 00:08:08,200 --> 00:08:10,500 IT'S BEAUTIFUL. THANKS. 172 00:08:12,267 --> 00:08:14,067 SO ARE WE STILL ON FOR TOMORROW NIGHT? 173 00:08:14,100 --> 00:08:15,700 OH, NOT ONLY ARE WE ON, 174 00:08:15,733 --> 00:08:17,533 I GOT RESERVATIONS AT LA PETITE FLEUR. 175 00:08:17,567 --> 00:08:19,267 OOH, THAT PLACE IS SO PRETENTIOUS. 176 00:08:19,300 --> 00:08:21,133 I'VE BEEN DYING TO GO THERE. 177 00:08:21,167 --> 00:08:22,333 Lynette: BOYS! 178 00:08:22,367 --> 00:08:24,333 GET YOUR LITTLE FANNIES INSIDE! 179 00:08:24,367 --> 00:08:27,267 GUYS?! 180 00:08:27,300 --> 00:08:29,100 OH, POOR LYNETTE. 181 00:08:29,133 --> 00:08:31,200 IF SHE DOESN'T GET A NEW NANNY SOON, 182 00:08:31,233 --> 00:08:33,133 SHE'S GOING TO IMPLODE. 183 00:08:33,167 --> 00:08:35,067 SHH. 184 00:08:36,733 --> 00:08:38,100 [ Whispers ] HEY, GUYS. 185 00:08:38,133 --> 00:08:40,300 WHO YOU HIDING FROM? 186 00:08:40,333 --> 00:08:42,533 OUR MOM. SHE WANTS TO SPANK US. 187 00:08:42,567 --> 00:08:45,467 WHY, DID YOU DO SOMETHING BAD? 188 00:08:45,500 --> 00:08:47,533 WELL, YOU KNOW, IF YOU HIDE OUT TOO LONG, 189 00:08:47,567 --> 00:08:49,767 SHE'LL GET WORRIED. THEN SHE'LL JUST GET MADDER. 190 00:08:49,800 --> 00:08:52,167 YOU KNOW WHAT I SAY? GO ON HOME, TAKE YOUR LUMPS. 191 00:08:52,200 --> 00:08:53,233 THERE'S A DECENT CHANCE 192 00:08:53,267 --> 00:08:56,067 YOU'LL HAVE THE REST OF THE DAY TO PLAY. 193 00:08:57,533 --> 00:09:00,067 COME ON, CLIMB ABOARD. 194 00:09:00,100 --> 00:09:01,167 HA HA HA. 195 00:09:01,200 --> 00:09:03,567 ALL RIGHT. 196 00:09:03,600 --> 00:09:05,600 PRETTY IMPRESSIVE. 197 00:09:05,633 --> 00:09:07,167 WELL, I LOVE KIDS. 198 00:09:07,200 --> 00:09:09,067 CAN'T WAIT TO HAVE MY OWN SOMEDAY. 199 00:09:09,100 --> 00:09:10,300 OH! 200 00:09:21,467 --> 00:09:23,600 WE DON'T WANT TO GET SPANKED. 201 00:09:23,633 --> 00:09:25,200 YEAH, WE PROMISE WE'LL BE GOOD. 202 00:09:25,233 --> 00:09:26,333 TOO LATE. 203 00:09:26,367 --> 00:09:28,467 YOU STOLE, AND THEN YOU LIED. 204 00:09:28,500 --> 00:09:29,700 EVEN WORSE, 205 00:09:29,733 --> 00:09:31,700 YOU MADE ME LOOK BAD IN FRONT OF MRS. McCLUSKEY, 206 00:09:31,733 --> 00:09:34,467 WHO YOU KNOW IS MOMMY'S SWORN ENEMY. 207 00:09:34,500 --> 00:09:36,333 TIME TO PICK YOUR POISON. 208 00:09:36,367 --> 00:09:39,100 HOW ABOUT A BELT? IT'S A CLASSIC. 209 00:09:41,167 --> 00:09:44,133 WELL, WE COULD GO WITH THE OLD HICKORY STICK. 210 00:09:44,167 --> 00:09:45,667 IT'S A CLICHé, BUT... 211 00:09:45,700 --> 00:09:47,267 IT'S PRETTY EFFECTIVE. 212 00:09:47,300 --> 00:09:49,333 I KNOW -- WE'LL GO WITH THE SPATULA. 213 00:09:49,367 --> 00:09:51,600 THE HOLES GIVE IT LESS WIND RESISTANCE. 214 00:09:51,633 --> 00:09:53,567 MOVES FASTER. 215 00:09:53,600 --> 00:09:55,467 NO! NO! NO! NO! NO! NO! 216 00:09:55,500 --> 00:09:57,700 GUYS, GUYS, GUYS! HEY, MY HANDS ARE TIED. 217 00:09:57,733 --> 00:09:59,733 THIEVES GET SPANKED. 218 00:09:59,767 --> 00:10:01,700 JUST THE WAY IT WORKS. 219 00:10:03,300 --> 00:10:04,467 UNLESS... 220 00:10:04,500 --> 00:10:05,733 UNLESS WHAT? 221 00:10:05,767 --> 00:10:08,733 FOR A FIRST-TIME OFFENSE, 222 00:10:08,767 --> 00:10:10,633 IF YOU SWEAR, 223 00:10:10,667 --> 00:10:12,567 CROSS YOUR HEART, 224 00:10:12,600 --> 00:10:15,033 THAT YOU WILL NEVER, NEVER STEAL AGAIN, 225 00:10:15,067 --> 00:10:18,467 AND YOU WRITE MRS. McCLUSKEY A LETTER OF APOLOGY, 226 00:10:18,500 --> 00:10:20,700 I WILL LET IT SLIDE. 227 00:10:20,733 --> 00:10:22,300 OKAY, OKAY! WE SWEAR! YEAH! 228 00:10:22,333 --> 00:10:24,167 WE SWEAR! 229 00:10:24,200 --> 00:10:27,400 ALL RIGHT, START WITH "DEAR MRS. McCLUSKEY." 230 00:10:29,400 --> 00:10:32,167 MOMMY, WHY ARE YOU SMILING? 231 00:10:32,200 --> 00:10:35,500 DO YOU KNOW WHAT "PSYCHOLOGICAL WARFARE" MEANS? 232 00:10:35,533 --> 00:10:36,600 NO. 233 00:10:36,633 --> 00:10:38,133 WELL, TOO BAD FOR YOU. 234 00:10:38,167 --> 00:10:40,800 OKAY, START WITH A BIG "M," LITTLE "C." 235 00:10:40,833 --> 00:10:44,700 GOOD. 236 00:10:44,733 --> 00:10:48,800 REX AND I ARE HOSTING A DINNER PARTY FOR 10 NEXT WEEK. 237 00:10:48,833 --> 00:10:51,800 WE'RE USING OUR BEST CHINA AND SERVING DUCK. 238 00:10:51,833 --> 00:10:55,333 SO YOU AND REX ARE A COUPLE AGAIN. 239 00:10:55,367 --> 00:10:56,133 YES. 240 00:10:56,167 --> 00:10:58,033 YOU KNOW, THAT'S ONE OF THE THINGS 241 00:10:58,067 --> 00:11:00,400 I HATED MOST ABOUT OUR SEPARATION -- 242 00:11:00,433 --> 00:11:02,533 NOT BEING ABLE TO THROW DINNER PARTIES. 243 00:11:02,567 --> 00:11:05,333 THERE'S JUST SOMETHING SO CIVILIZED 244 00:11:05,367 --> 00:11:07,367 AND ELEGANT ABOUT THEM, DON'T YOU THINK? 245 00:11:07,400 --> 00:11:10,067 I TAKE IT YOU'VE RESOLVED YOUR FEELINGS 246 00:11:10,100 --> 00:11:11,367 ABOUT HIS INFIDELITY? 247 00:11:11,400 --> 00:11:12,800 LET'S JUST SAY 248 00:11:12,833 --> 00:11:14,800 I'VE PUT THEM IN AN IMAGINARY BOX 249 00:11:14,833 --> 00:11:16,767 AND DON'T PLAN ON LOOKING AT THEM FOR A WHILE. 250 00:11:16,800 --> 00:11:19,667 DO YOU THINK THAT'S THE HEALTHIEST WAY 251 00:11:19,700 --> 00:11:21,700 TO ACHIEVE A RECONCILIATION? 252 00:11:21,733 --> 00:11:23,567 WELL, IT WON'T BE EASY AT FIRST. 253 00:11:23,600 --> 00:11:26,367 THERE'LL BE A LOT OF FORCED SMILES 254 00:11:26,400 --> 00:11:28,300 AND PERFUNCTORY LOVEMAKING, 255 00:11:28,333 --> 00:11:29,667 BUT AFTER A FEW DECADES WHIZ BY, 256 00:11:29,700 --> 00:11:31,500 I'M SURE I'LL FIND A WAY TO FORGIVE HIM. 257 00:11:31,533 --> 00:11:36,067 WELL, AS LONG AS YOU HAVE A PLAN. 258 00:11:38,800 --> 00:11:43,633 I DO WANT TO FORGIVE HIM, DR. GOLDFINE, BUT... 259 00:11:43,667 --> 00:11:46,467 THERE'S SOMETHING HE'S STILL NOT TELLING ME. 260 00:11:46,500 --> 00:11:48,467 REALLY? 261 00:11:50,500 --> 00:11:53,533 I THINK IT HAS SOMETHING TO DO WITH WHY HE HAD THE AFFAIR. 262 00:11:53,567 --> 00:11:56,300 HAVE YOU CONFRONTED HIM? 263 00:11:56,333 --> 00:11:58,167 ONCE, AND YOU SHOULD HAVE SEEN THE LOOK IN HIS EYES. 264 00:11:58,200 --> 00:12:00,067 HE WAS TERRIFIED THAT I'D FIGURE IT OUT. 265 00:12:02,800 --> 00:12:06,567 YOU KNOW WHAT IT IS, DON'T YOU? 266 00:12:06,600 --> 00:12:09,767 BREE, I CAN'T DISCUSS OTHER PATIENTS. 267 00:12:09,800 --> 00:12:12,700 I REALIZE THAT. 268 00:12:16,267 --> 00:12:18,467 THIS THING THAT HE'S HIDING -- 269 00:12:18,500 --> 00:12:20,100 IS IT BAD? 270 00:12:22,767 --> 00:12:24,700 OH. 271 00:12:24,733 --> 00:12:26,833 OKAY, UM... 272 00:12:26,867 --> 00:12:29,833 HA HA. MAYBE IT'S BETTER THAT I DON'T KNOW. 273 00:12:29,867 --> 00:12:33,433 BREE, HOW DOES THIS RECONCILIATION HAVE A CHANCE 274 00:12:33,467 --> 00:12:35,300 IF THE TWO OF YOU CAN'T BE HONEST 275 00:12:35,333 --> 00:12:37,500 ABOUT THE INNERMOST PARTS OF YOUR LIVES? 276 00:12:37,533 --> 00:12:40,133 WE'RE, UM, W.A.S.P.s, DR. GOLDFINE. 277 00:12:40,167 --> 00:12:41,633 NOT ACKNOWLEDGING THE ELEPHANT IN THE ROOM 278 00:12:41,667 --> 00:12:43,167 IS WHAT WE DO BEST. 279 00:12:43,200 --> 00:12:45,500 YOU'D SETTLE FOR THAT -- 280 00:12:45,533 --> 00:12:48,133 A LIFE FILLED WITH REPRESSION AND DENIAL? 281 00:12:48,167 --> 00:12:51,833 AND THE DINNER PARTIES. 282 00:12:51,867 --> 00:12:55,400 DON'T FORGET THE DINNER PARTIES. 283 00:12:59,467 --> 00:13:01,567 AND OVER THERE, YOU GOT YOUR QUEENS 284 00:13:01,600 --> 00:13:05,733 AND YOUR QUAD-SPRING SERIES AND YOUR DELUXE 1000s, 285 00:13:05,767 --> 00:13:09,467 ALL THE WAY TO THE IMPERIAL PARADISE. 286 00:13:09,500 --> 00:13:10,833 SWEET RACKET, HUH? 287 00:13:10,867 --> 00:13:12,200 MM. 288 00:13:12,233 --> 00:13:14,133 I SWEAR, SOMETIMES I WAKE UP IN THE MORNING, 289 00:13:14,167 --> 00:13:16,267 AND I CAN'T BELIEVE I'M THE SIESTA KING. 290 00:13:16,300 --> 00:13:18,100 EXCEPT FOR HOW I AM. 291 00:13:18,133 --> 00:13:20,167 VERY IMPRESSIVE. HA HA. 292 00:13:20,200 --> 00:13:24,067 SO WHERE DOES THE PHOTOGRAPHER WANT ME FOR THE SHOOT? 293 00:13:24,067 --> 00:13:27,667 UH, DIDN'T YOUR AGENT TELL YOU? THERE'S NO SHOOT. 294 00:13:27,700 --> 00:13:31,367 WELL, THEN, WHAT DID YOU HIRE ME FOR? 295 00:13:31,400 --> 00:13:34,767 YOU'VE HEARD THE EXPRESSION "SEX SELLS"? 296 00:13:34,800 --> 00:13:36,533 THAT'S WHERE YOU COME IN. 297 00:13:36,567 --> 00:13:39,367 YOU'RE HERE TO REMIND PEOPLE THAT THERE'S A LOT OF FUN THINGS 298 00:13:39,400 --> 00:13:41,567 THEY CAN DO ON A SIESTA KING MATTRESS 299 00:13:41,600 --> 00:13:44,733 THAT DON'T INVOLVE SLEEPING. 300 00:13:44,767 --> 00:13:46,100 GET IT? 301 00:13:49,533 --> 00:13:52,067 [ SIGHS ] 302 00:14:04,067 --> 00:14:06,300 Mary Alice: IT IS OFTEN SAID 303 00:14:06,333 --> 00:14:09,600 THAT GOOD FENCES MAKE GOOD NEIGHBORS. 304 00:14:09,633 --> 00:14:11,067 [ DOOR CLOSES ] 305 00:14:11,067 --> 00:14:13,467 BUT AS LYNETTE WAS ABOUT TO DISCOVER, 306 00:14:13,500 --> 00:14:16,567 THE FENCE MIGHT JUST NEED A LITTLE BARBED WIRE 307 00:14:16,600 --> 00:14:19,233 IF THE NEIGHBOR IS MRS. McCLUSKEY. 308 00:14:19,267 --> 00:14:22,167 HEY! 309 00:14:24,333 --> 00:14:26,233 HEY, WHAT DO YOU THINK YOU ARE DOING? 310 00:14:26,267 --> 00:14:27,767 GET OUT OF HERE. 311 00:14:27,800 --> 00:14:29,767 YOUR LITTLE CRIMINALS SNUCK INTO MY HOUSE 312 00:14:29,800 --> 00:14:31,667 AND STOLE MY WALL CLOCK. 313 00:14:31,700 --> 00:14:33,567 WHAT? 314 00:14:33,600 --> 00:14:35,500 IT WAS A HAND-PAINTED PURPLE AND WHITE WALL CLOCK. 315 00:14:35,533 --> 00:14:36,667 MY SON MADE IT. 316 00:14:36,700 --> 00:14:38,133 ARE YOU SURE YOU DIDN'T MISPLACE IT? 317 00:14:38,167 --> 00:14:39,533 YOU'RE GETTING UP THERE IN YEARS. 318 00:14:39,567 --> 00:14:41,067 NO OFFENSE, BUT YOU PROBABLY FORGET 319 00:14:41,100 --> 00:14:42,300 WHERE YOU PUT THINGS. 320 00:14:42,333 --> 00:14:44,200 NO OFFENSE, BUT YOU SHOULD BE STERILIZED. 321 00:14:44,233 --> 00:14:47,433 LOOK, MY BOYS DO NOT BREAK INTO PEOPLE'S HOUSES. 322 00:14:47,467 --> 00:14:49,567 SURE, THEY MAY HAVE STOLEN YOUR FLOWERPOT, 323 00:14:49,600 --> 00:14:52,067 BUT, YOU KNOW, THEY APOLOGIZED FOR THAT. 324 00:14:52,067 --> 00:14:53,200 THEY WROTE A NOTE. 325 00:14:53,233 --> 00:14:54,767 THAT THE COWARD'S WAY OUT. 326 00:14:54,800 --> 00:14:56,633 THEY SHOULD HAVE COME OVER AND APOLOGIZED IN PERSON. 327 00:14:56,667 --> 00:14:58,567 YOU KNOW WHAT? THIS HAS BEEN FUN, BUT NOW -- 328 00:14:58,600 --> 00:15:00,500 YOU LET THOSE BOYS RUN WILD. 329 00:15:00,533 --> 00:15:01,833 TOYS ALL OVER THE YARD, 330 00:15:01,867 --> 00:15:03,333 THERE'S BIKES LAYING OUT IN THE STREET. 331 00:15:03,367 --> 00:15:04,433 IT'S A DISGRACE. 332 00:15:04,467 --> 00:15:06,267 GET OUT OF MY HOUSE! 333 00:15:06,300 --> 00:15:08,600 THOSE BOYS WOULD HAVE BEEN BETTER OFF RAISED BY WOLVES. 334 00:15:08,633 --> 00:15:10,567 GOD KNOWS, THEY WOULD HAVE BEEN CLEANER. 335 00:15:10,600 --> 00:15:12,067 OOH! 336 00:15:16,300 --> 00:15:18,733 VALENTINE'S DAY IS TOMORROW. 337 00:15:18,767 --> 00:15:20,567 I KNOW. 338 00:15:20,600 --> 00:15:22,233 ALREADY BOUGHT YOUR GIFTS. 339 00:15:22,267 --> 00:15:24,667 ROSES AND ENGLISH TOFFEE? 340 00:15:24,700 --> 00:15:26,600 MM-HMM. JUST LIKE ALWAYS. 341 00:15:26,633 --> 00:15:28,233 YES. 342 00:15:28,267 --> 00:15:31,400 AND I SUPPOSE WE'LL MAKE LOVE TOMORROW NIGHT, TOO? 343 00:15:31,433 --> 00:15:34,833 THAT IS OUR LITTLE TRADITION. 344 00:15:34,867 --> 00:15:39,200 GOOD. I'M LOOKING FORWARD TO IT. 345 00:15:43,567 --> 00:15:46,733 ARE YOU LOOKING FORWARD TO IT? 346 00:15:48,767 --> 00:15:49,767 WHAT? 347 00:15:49,800 --> 00:15:51,233 WELL, IT'S JUST THAT I KNOW 348 00:15:51,267 --> 00:15:52,767 THAT I DON'T PLEASE YOU SEXUALLY, 349 00:15:52,800 --> 00:15:54,667 SO I WAS WONDERING IF YOU REALLY WERE 350 00:15:54,700 --> 00:15:56,400 LOOKING FORWARD TO BEING WITH ME. 351 00:15:56,433 --> 00:15:58,067 AW, FOR GOD'S SAKE. 352 00:15:58,067 --> 00:16:00,533 I'M SORRY, REX. I THOUGHT I COULD PRETEND 353 00:16:00,567 --> 00:16:02,700 THAT THIS DOESN'T UPSET ME ANYMORE, 354 00:16:02,733 --> 00:16:03,700 BUT I CAN'T. 355 00:16:03,733 --> 00:16:04,700 PLEASE DON'T DO THIS. 356 00:16:04,733 --> 00:16:06,733 YOU HAD AN AFFAIR. YOU WENT TO ANOTHER WOMAN 357 00:16:06,767 --> 00:16:08,600 FOR SEX TO GIVE YOU SOMETHING I COULDN'T. 358 00:16:08,633 --> 00:16:10,133 AT LEAST HAVE THE DECENCY 359 00:16:10,167 --> 00:16:11,833 TO TELL ME WHAT THAT SOMETHING IS. 360 00:16:11,867 --> 00:16:13,633 BREE, I CAN'T. 361 00:16:13,667 --> 00:16:14,800 WHY NOT? 362 00:16:17,267 --> 00:16:18,233 [ SIGHS ] 363 00:16:18,267 --> 00:16:22,067 REX, PLEASE TELL ME. 364 00:16:22,100 --> 00:16:24,800 LET ME PROVE TO YOU HOW MUCH I LOVE YOU. 365 00:16:29,133 --> 00:16:31,233 I LIKE TO BE DOMINATED. 366 00:16:33,400 --> 00:16:34,367 HUH? 367 00:16:35,867 --> 00:16:37,367 SEXUALLY. 368 00:16:39,433 --> 00:16:40,433 HUH? 369 00:16:42,067 --> 00:16:43,400 NEVER MIND. 370 00:16:43,433 --> 00:16:46,267 REX, PLEASE, I WANT TO UNDERSTAND. 371 00:16:50,667 --> 00:16:52,267 Man: PLEASE, MISTRESS, NO! 372 00:16:52,300 --> 00:16:53,467 Woman: YES, SLAVE. 373 00:16:53,500 --> 00:16:54,267 YES, MISTRESS, YES, YES. 374 00:16:54,300 --> 00:16:55,700 TURN YOUR HEAD. DON'T LOOK AT ME. 375 00:16:55,733 --> 00:16:56,800 BUT, MISTRESS -- 376 00:16:56,833 --> 00:16:58,733 ON YOUR KNEES, NOW. RIGHT NOW. 377 00:16:58,767 --> 00:17:00,767 TIGHTEN YOUR CUFFS. TIGHTEN THEM. YES, MISTRESS. 378 00:17:00,800 --> 00:17:02,667 DO IT NOW. HEAD DOWN. YES. YES. 379 00:17:02,700 --> 00:17:05,100 OW! YES! OW! YES! 380 00:17:05,133 --> 00:17:06,300 PLACE THE STICK IN YOUR MOUTH. 381 00:17:06,333 --> 00:17:09,200 YES, MISTRESS. YES! 382 00:17:09,233 --> 00:17:11,700 WELL? 383 00:17:14,300 --> 00:17:16,500 WHAT THE HELL DID YOUR MOTHER DO TO YOU? 384 00:17:16,533 --> 00:17:17,567 WHAT? 385 00:17:17,600 --> 00:17:18,567 WELL, COME ON, 386 00:17:18,600 --> 00:17:20,633 THIS JUST REEKS OF UNRESOLVED CHILDHOOD TRAUMA. 387 00:17:20,667 --> 00:17:22,533 THIS HAS NOTHING TO DO WITH MY MOTHER, BREE. 388 00:17:22,567 --> 00:17:24,300 THIS IS A PREFERENCE. 389 00:17:24,333 --> 00:17:25,267 IT'S A PERVERSION. 390 00:17:25,300 --> 00:17:26,333 FOR GOD'S SAKE, 391 00:17:26,367 --> 00:17:27,667 YOU PROMISED TO BE SUPPORTIVE. 392 00:17:27,700 --> 00:17:29,167 WHAT DO YOU WANT ME TO SAY -- 393 00:17:29,200 --> 00:17:31,067 MY HUSBAND LIKES TO WEAR METAL CLAMPS 394 00:17:31,067 --> 00:17:32,700 AROUND HIS NIPPLES, HOORAY? 395 00:17:32,733 --> 00:17:34,133 I WANT YOU TO SAY YOU'LL TRY IT, 396 00:17:34,167 --> 00:17:35,300 JUST -- JUST ONCE. 397 00:17:35,333 --> 00:17:37,200 TRY WHAT? HURTING YOU? 398 00:17:37,233 --> 00:17:39,433 YOU ACTUALLY WANT ME TO HURT YOU? 399 00:17:39,467 --> 00:17:41,767 SO I CAN FEEL PLEASURE, YES. 400 00:17:41,800 --> 00:17:44,067 FINE. 401 00:17:46,367 --> 00:17:48,767 SO WAS IT GOOD FOR YOU, TOO? 402 00:17:59,100 --> 00:18:01,600 MIKE WANTS BABIES. 403 00:18:01,633 --> 00:18:02,667 WHAT? 404 00:18:02,700 --> 00:18:05,067 HE WANTS TO HAVE KIDS, 405 00:18:05,100 --> 00:18:06,767 AND HE HAD THAT LOOK THAT MEN GET 406 00:18:06,800 --> 00:18:08,600 THAT SAYS, "I'M READY TO PROCREATE. 407 00:18:08,633 --> 00:18:11,233 POINT ME TO THE NEAREST CERVIX." 408 00:18:11,267 --> 00:18:13,200 AND I TAKE IT THIS IS A PROBLEM? 409 00:18:13,233 --> 00:18:15,600 OH, I CAN'T HAVE ANOTHER BABY. 410 00:18:15,633 --> 00:18:17,467 I MEAN, I'M SO GRATEFUL I HAD YOU. 411 00:18:17,500 --> 00:18:20,600 YOU KNOW, I DON'T REGRET A MINUTE OF THAT, BUT I -- 412 00:18:20,633 --> 00:18:23,633 I FOUND IT TO BE COMPLETELY OVERWHELMING. 413 00:18:23,667 --> 00:18:25,700 SOMETIMES I EVEN WONDER HOW I GOT THROUGH IT. 414 00:18:25,733 --> 00:18:28,333 YOU AND ME BOTH. 415 00:18:28,367 --> 00:18:31,300 SO HAVE YOU TOLD MIKE HOW YOU FEEL? 416 00:18:31,333 --> 00:18:32,500 OH, I CAN'T TELL HIM. 417 00:18:32,533 --> 00:18:34,300 THIS COULD BE A DEAL-BREAKER. 418 00:18:34,333 --> 00:18:37,333 JULIE, I REALLY LOVE HIM. I DON'T WANT TO LOSE HIM. 419 00:18:37,367 --> 00:18:38,833 MAYBE YOU'RE OVERREACTING. 420 00:18:38,867 --> 00:18:40,767 I BET HE'D RATHER HAVE YOU THAN A BABY. 421 00:18:40,800 --> 00:18:44,100 WHAT IF HE DOESN'T? 422 00:18:44,133 --> 00:18:47,500 THEN THAT'S SOMETHING YOU NEED TO KNOW. 423 00:18:51,100 --> 00:18:54,233 SUSAN SHOULDN'T HAVE BEEN SO WORRIED. 424 00:18:54,267 --> 00:18:58,333 CHILDREN WERE THE LAST THING ON MIKE'S MIND. 425 00:18:58,367 --> 00:19:02,433 HE WAS TOO BUSY SEARCHING FOR ANSWERS 426 00:19:02,467 --> 00:19:04,400 IN ALL THE WRONG PLACES. 427 00:19:56,867 --> 00:19:58,467 PLEASE, JUST -- 428 00:20:26,400 --> 00:20:28,767 YOU GOT LUCKY. 429 00:20:28,800 --> 00:20:30,800 DIDN'T HIT ANYTHING MAJOR. 430 00:20:33,800 --> 00:20:35,533 NOAH'S GETTING IMPATIENT. 431 00:20:35,567 --> 00:20:37,800 WELL, YOU CAN TELL NOAH I'M GETTING CLOSER. 432 00:20:39,867 --> 00:20:41,433 THAT'S HER, ISN'T IT? YEAH. 433 00:20:41,467 --> 00:20:43,433 HARD TO BELIEVE A KID FROM SUCH A GOOD FAMILY 434 00:20:43,467 --> 00:20:45,433 COULD GET SO MESSED UP. 435 00:20:45,467 --> 00:20:47,500 I MET SOMEBODY WHO RECOGNIZED HER PHOTO. 436 00:20:47,533 --> 00:20:49,367 THEY THINK SHE RENTED A ROOM OVER ON PINE AVENUE. 437 00:20:49,400 --> 00:20:50,467 [ TELEPHONE RINGS ] 438 00:20:50,500 --> 00:20:52,767 I WAS CHECKING OUT HOUSES WHEN... 439 00:20:52,800 --> 00:20:55,600 Susan: HEY, MIKE, IT'S ME. ARE YOU THERE? PICK UP. 440 00:20:55,633 --> 00:20:57,567 HELLO. 441 00:20:57,600 --> 00:21:00,733 OKAY, I KNOW YOU'RE HOME. YOUR LIGHTS ARE ON. 442 00:21:00,767 --> 00:21:04,233 LOOK, I REALLY NEED TO TALK TO YOU ABOUT SOMETHING. 443 00:21:04,267 --> 00:21:06,467 YOU KNOW WHAT? I-I'M JUST GOING TO STOP BY. 444 00:21:08,167 --> 00:21:09,267 OH, HEY, HEY. 445 00:21:09,300 --> 00:21:11,067 I'M HERE. [ Groans ] 446 00:21:11,067 --> 00:21:12,100 ARE YOU OKAY? 447 00:21:12,133 --> 00:21:13,167 YEAH. 448 00:21:13,200 --> 00:21:15,333 I JUST -- HA HA -- STUBBED MY TOE. 449 00:21:15,367 --> 00:21:16,700 OH. 450 00:21:16,733 --> 00:21:19,200 UM... 451 00:21:19,233 --> 00:21:20,600 SO CAN I COME OVER? 452 00:21:20,633 --> 00:21:23,433 I-I REALLY NEED TO TALK TO YOU ABOUT SOMETHING. 453 00:21:23,467 --> 00:21:25,700 ACTUALLY, I GOT A BUDDY OVER HERE RIGHT NOW. 454 00:21:25,733 --> 00:21:28,333 UM, CAN IT WAIT TILL DINNER TOMORROW? 455 00:21:28,367 --> 00:21:31,400 IT'S KIND OF IMPORTANT. UM... 456 00:21:31,433 --> 00:21:33,167 YEAH, I GUESS IT CAN WAIT. 457 00:21:33,200 --> 00:21:34,467 SO SEE YOU AT 7:00? 458 00:21:34,500 --> 00:21:36,400 ALL RIGHT. I'M COUNTING THE MINUTES. 459 00:21:36,433 --> 00:21:38,667 HA HA. 460 00:21:40,300 --> 00:21:43,067 YOU SHOULD TAKE IT EASY FOR THE NEXT FEW DAYS. 461 00:21:43,100 --> 00:21:45,167 WELL, I CAN'T CANCEL. 462 00:21:45,200 --> 00:21:48,433 THE LAST THING I NEED IS FOR HER TO GET SUSPICIOUS. 463 00:21:51,233 --> 00:21:53,133 MAYBE IT'S MY DEMENTIA, 464 00:21:53,167 --> 00:21:56,267 BUT I STILL HAVEN'T FOUND MY PURPLE WALL CLOCK. 465 00:21:56,300 --> 00:21:58,133 NOBODY IN MY FAMILY KNOWS OR CARES 466 00:21:58,167 --> 00:21:59,833 WHERE YOUR STUPID CLOCK IS. 467 00:21:59,867 --> 00:22:02,300 OH, AND BY THE WAY, WILL YOU TELL YOUR LITTLE CRIMINALS 468 00:22:02,333 --> 00:22:04,700 TO GET THEIR BIKES OUT OF THE STREET? 469 00:22:04,733 --> 00:22:05,800 OH, I-I'LL GET IT. 470 00:22:05,833 --> 00:22:07,567 NO, DON'T YOU DARE. 471 00:22:07,600 --> 00:22:09,633 WE'LL MOVE IT WHEN YOU SAY PLEASE. 472 00:22:22,067 --> 00:22:23,467 PLEASE. 473 00:22:23,500 --> 00:22:26,167 OKAY, L-LYNETTE, LET'S NOT GET CRAZY. 474 00:22:26,200 --> 00:22:28,267 Mary Alice: EVEN THOUGH IT WAS MRS. McCLUSKEY 475 00:22:28,300 --> 00:22:30,200 WHO HAD OFFICIALLY DECLARED WAR, 476 00:22:30,233 --> 00:22:32,100 IT WAS LYNETTE 477 00:22:32,133 --> 00:22:34,533 WHO DECIDED TO DELIVER THE OPENING SALVO. 478 00:22:34,567 --> 00:22:36,200 YOU'RE GOING TO CLEAN THAT UP. 479 00:22:36,233 --> 00:22:37,733 YOU THINK SO? YES. 480 00:22:42,167 --> 00:22:46,400 YES, THE WAR OF WISTERIA LANE WOULD INDEED PROVE TO BE MESSY 481 00:22:46,433 --> 00:22:48,767 FOR EVERYONE INVOLVED. 482 00:22:48,800 --> 00:22:50,800 Man: PARDON ME. 483 00:22:50,833 --> 00:22:53,167 PARDON ME. 484 00:22:53,200 --> 00:22:55,633 WE WERE WONDERING WHAT THE COIL COUNT IS ON THIS ONE. 485 00:22:59,333 --> 00:23:01,133 OH. 486 00:23:01,167 --> 00:23:02,467 SORRY. 487 00:23:13,567 --> 00:23:14,700 WHAT IS THIS? 488 00:23:14,733 --> 00:23:16,833 PEOPLE KEEP COMING AND TALKING TO ME, 489 00:23:16,867 --> 00:23:19,400 ASKING ME QUESTIONS. THAT IS NOT MY JOB. 490 00:23:19,433 --> 00:23:21,433 WELL, YOU DON'T HAVE TO BE RUDE. 491 00:23:21,467 --> 00:23:24,233 I AM NOT A MATTRESS SALESPERSON. 492 00:23:24,267 --> 00:23:25,700 IS THERE SOMETHING WRONG 493 00:23:25,733 --> 00:23:28,300 WITH BEING A MATTRESS SALESPERSON? 494 00:23:28,333 --> 00:23:30,133 IS IT BENEATH YOU OR SOMETHING? 495 00:23:30,167 --> 00:23:31,367 HONESTLY, YES. 496 00:23:31,400 --> 00:23:33,367 I'M A MODEL. 497 00:23:33,400 --> 00:23:35,067 YOU KNOW WHAT? YOUR AGENT WARNED ME 498 00:23:35,067 --> 00:23:37,167 THAT YOU WERE A DIVA, AND HE WAS RIGHT. 499 00:23:37,200 --> 00:23:38,633 YOU WON'T TALK TO THE CUSTOMERS, 500 00:23:38,667 --> 00:23:39,833 YOU BITCH ABOUT THE COFFEE, 501 00:23:39,867 --> 00:23:42,533 AND YOU WOULDN'T EVEN CHIP IN FOR HAZEL'S BIRTHDAY CAKE. 502 00:23:42,567 --> 00:23:44,300 I JUST MET THE WOMAN TODAY. 503 00:23:44,333 --> 00:23:46,500 THAT DIDN'T STOP YOU FROM HAVING A PIECE. 504 00:23:48,167 --> 00:23:50,067 I'M SORRY, BUT I DON'T WANT SOMEONE 505 00:23:50,067 --> 00:23:52,400 AROUND MY STORE THAT'S NOT A TEAM PLAYER. 506 00:23:52,433 --> 00:23:53,400 OH, NO, NO, NO. WAIT, WAIT -- 507 00:23:53,433 --> 00:23:54,833 YOU'RE FIRED, PRINCESS. 508 00:23:54,867 --> 00:23:56,233 NO. 509 00:23:59,067 --> 00:24:01,800 I NEED TO KNOW IF MY POLICY COVERS IT. 510 00:24:01,833 --> 00:24:04,367 NO, MY CAR ACTUALLY WASN'T INVOLVED. 511 00:24:04,400 --> 00:24:06,333 IT WAS MY NEIGHBOR'S CAR. 512 00:24:06,367 --> 00:24:08,767 BUT THE EGG WAS MINE. 513 00:24:08,800 --> 00:24:12,067 UH-HUH. CAN I PLEASE SPEAK TO YOUR SUPERVISOR? 514 00:24:12,100 --> 00:24:16,067 Tom: UH, HONEY, CAN YOU COME OUT HERE? 515 00:24:18,133 --> 00:24:20,200 WHAT? 516 00:24:20,233 --> 00:24:23,233 LOOK WHAT I FOUND STASHED IN THE BOYS' PLAYHOUSE. 517 00:24:26,067 --> 00:24:28,067 [ LYNETTE GASPS ] 518 00:24:30,800 --> 00:24:34,133 PLEASE TELL ME THAT'S NOT A PURPLE WALL CLOCK. 519 00:24:36,100 --> 00:24:40,433 PACK YOUR BAGS. WE'RE MOVING. 520 00:25:19,367 --> 00:25:21,667 Mary Alice: DISCOURAGED OVER LOSING HER JOB, 521 00:25:21,700 --> 00:25:25,167 GABRIELLE DECIDED A MAKEOVER WOULD BE THE PERFECT CURE 522 00:25:25,200 --> 00:25:27,733 FOR HER DEPRESSION. 523 00:25:27,767 --> 00:25:30,300 IT WAS AFTER FINDING A MOISTURIZER 524 00:25:30,333 --> 00:25:32,200 SHE COULDN'T AFFORD 525 00:25:32,233 --> 00:25:35,233 THAT IT FINALLY OCCURRED TO GABRIELLE... 526 00:25:37,300 --> 00:25:42,100 PERHAPS IT WAS HER PRIDE THAT NEEDED A MAKEOVER. 527 00:25:42,133 --> 00:25:43,700 [ SIGHS ] 528 00:25:43,733 --> 00:25:45,067 Woman: EXCUSE ME, MISS? 529 00:25:46,833 --> 00:25:48,733 YOU FORGOT TO GIVE ME MY RECEIPT. 530 00:25:48,767 --> 00:25:50,500 OH, RIGHT. 531 00:25:50,533 --> 00:25:52,433 UH, OH, HERE. 532 00:25:52,467 --> 00:25:53,800 HERE YOU GO. 533 00:25:53,833 --> 00:25:55,267 THANK YOU. 534 00:25:55,300 --> 00:25:56,567 COME AGAIN. 535 00:26:03,867 --> 00:26:05,433 MRS. SOLIS? 536 00:26:08,833 --> 00:26:12,133 OOH, GOD. 537 00:26:12,167 --> 00:26:13,600 HELLO. 538 00:26:13,633 --> 00:26:16,267 HELLO, YAO LIN. 539 00:26:16,300 --> 00:26:17,567 HOW ARE YOU? 540 00:26:17,600 --> 00:26:19,667 GOOD. VERY GOOD. 541 00:26:19,700 --> 00:26:21,400 I WANTED TO CALL YOU. 542 00:26:21,433 --> 00:26:24,300 I FELT TERRIBLE ABOUT HOW WE LEFT THINGS. 543 00:26:24,333 --> 00:26:26,067 I NEED LIPSTICK. 544 00:26:26,067 --> 00:26:27,767 OKAY, BUT -- 545 00:26:27,800 --> 00:26:29,433 NOW. 546 00:26:32,267 --> 00:26:34,533 YOU MUST BE LOVING THIS, HUH? 547 00:26:34,567 --> 00:26:37,400 HAVING ME SERVE YOU MUST BE A DREAM COME TRUE. 548 00:26:37,433 --> 00:26:39,800 CAN'T COMPLAIN. 549 00:26:39,833 --> 00:26:42,700 THAT'S THE DIFFERENCE BETWEEN YOU AND ME, YAO LIN. 550 00:26:42,733 --> 00:26:45,300 OUR DREAMS. CLOSE YOUR EYES, PLEASE. 551 00:26:45,333 --> 00:26:47,567 THANK YOU. 552 00:26:47,600 --> 00:26:49,067 YOU SEE, I DREAMED 553 00:26:49,067 --> 00:26:51,667 OF PULLING MYSELF UP FROM NOTHING, AND I DID. 554 00:26:51,700 --> 00:26:53,533 I DREAMED ABOUT THE THINGS I WANTED, 555 00:26:53,567 --> 00:26:56,600 AND I GOT THEM ALL -- A HIGH-POWERED CAREER, 556 00:26:56,633 --> 00:27:01,300 A HANDSOME HUSBAND, AN EXTRAVAGANT HOUSE. 557 00:27:01,333 --> 00:27:04,733 SO THIS IS JUST A BLIP ON THE RADAR FOR ME, 558 00:27:04,767 --> 00:27:07,600 BECAUSE NOW I KNOW WHAT I'M CAPABLE OF, 559 00:27:07,633 --> 00:27:10,067 AND IF I DID IT ONCE, I CAN DO IT AGAIN. 560 00:27:11,833 --> 00:27:13,833 I'M NEVER REALLY DOWN, YAO LIN, 561 00:27:13,867 --> 00:27:15,633 EVEN WHEN IT LOOKS LIKE I AM. 562 00:27:15,667 --> 00:27:18,067 SO ENJOY THIS MOMENT. 563 00:27:18,100 --> 00:27:19,567 ENJOY YOUR DREAM. 564 00:27:19,600 --> 00:27:21,067 'CAUSE FOR YOU, 565 00:27:21,100 --> 00:27:22,700 IT DOESN'T GET ANY BETTER THAN THIS. 566 00:27:24,733 --> 00:27:26,367 THERE. 567 00:27:26,400 --> 00:27:28,400 DON'T YOU LOOK BEAUTIFUL. 568 00:27:47,400 --> 00:27:49,333 RIGHT THIS WAY. 569 00:27:49,367 --> 00:27:50,367 EVERYTHING OKAY? 570 00:27:50,400 --> 00:27:52,367 OH, YEAH, THIS DRESS IS JUST RIDING UP AS IT IS. 571 00:27:52,400 --> 00:27:53,667 IF I WALK ANY FASTER, 572 00:27:53,700 --> 00:27:55,800 IT'LL BE HAPPY VALENTINE'S DAY FOR EVERYONE. 573 00:27:55,833 --> 00:27:56,733 ESPECIALLY ME. 574 00:27:56,767 --> 00:27:57,800 HA HA HA HA. 575 00:27:57,833 --> 00:27:59,767 THANK YOU. 576 00:27:59,800 --> 00:28:01,600 MM-HMM. 577 00:28:03,733 --> 00:28:06,633 Man: EXCUSE ME. MISS? 578 00:28:07,600 --> 00:28:09,767 [ GASPS ] 579 00:28:12,800 --> 00:28:16,433 OH, I'M SO SORRY! IS -- IS EVERYONE OKAY? 580 00:28:16,467 --> 00:28:18,500 OH, THANK YOU. 581 00:28:18,533 --> 00:28:20,333 THANK YOU SO MUCH. 582 00:28:25,367 --> 00:28:26,733 OH, MA'AM, YOUR NAPKIN. 583 00:28:26,767 --> 00:28:29,567 DON'T EVEN THINK ABOUT IT. 584 00:28:39,667 --> 00:28:43,200 OH, THAT'S SO WONDERFUL WHAT YOU WROTE. THANK YOU. 585 00:28:45,333 --> 00:28:48,633 OKAY. 586 00:28:48,667 --> 00:28:50,800 I'M NOT GOING TO BE ANY TYPE OF COMPANY 587 00:28:50,833 --> 00:28:53,600 UNTIL I GET SOMETHING OFF MY CHEST. 588 00:28:53,633 --> 00:28:55,533 DO YOU REMEMBER THE OTHER DAY, 589 00:28:55,567 --> 00:28:58,200 WHEN YOU SAID THAT YOU WANTED TO HAVE KIDS? 590 00:28:58,233 --> 00:29:00,100 MM-HMM. 591 00:29:00,133 --> 00:29:03,233 HERE'S THE THING. 592 00:29:03,267 --> 00:29:05,400 I DON'T THINK I'M READY TO HAVE ANOTHER BABY. 593 00:29:07,167 --> 00:29:10,700 I THINK WE NEED TO HAVE A SERIOUS CONVERSATION. 594 00:29:10,733 --> 00:29:13,767 WELL, SURE. 595 00:29:18,100 --> 00:29:19,400 I'M NOT GOING OVER THERE. 596 00:29:19,433 --> 00:29:20,433 YES, YOU ARE. 597 00:29:20,467 --> 00:29:22,500 NO. I CAN DEAL WITH THE HUMILIATION 598 00:29:22,533 --> 00:29:24,233 OF GOING AROUND TO THE NEIGHBORHOOD, 599 00:29:24,267 --> 00:29:27,367 RETURNING EVERYTHING THE BOYS STOLE, BUT PLEASE, 600 00:29:27,400 --> 00:29:29,300 DON'T MAKE ME APOLOGIZE TO THAT WOMAN. 601 00:29:29,333 --> 00:29:31,600 LYNETTE, THIS IS WHAT IT MEANS TO BE A GOOD NEIGHBOR -- 602 00:29:31,633 --> 00:29:34,633 FINDING WAYS OF GETTING ALONG INSTEAD OF, YOU KNOW, 603 00:29:34,667 --> 00:29:36,133 HURLING AN EGG AT THEM. 604 00:29:36,167 --> 00:29:38,433 BUT WHY DO I HAVE TO APOLOGIZE? 605 00:29:38,467 --> 00:29:40,367 WHY DON'T WE JUST GO, "OH, NOW WE'RE EVEN," 606 00:29:40,400 --> 00:29:41,733 AND WE'LL START FROM SCRATCH? 607 00:29:41,767 --> 00:29:44,233 OKAY, IF THE, UH, BEING A PLEASANT HUMAN BEING ARGUMENT 608 00:29:44,267 --> 00:29:46,167 DOESN'T FLY WITH YOU, WE'LL TRY, UH, SELF-PRESERVATION. 609 00:29:46,200 --> 00:29:47,533 WHAT IF SHE WAKES UP IN THE MIDDLE OF THE NIGHT, 610 00:29:47,567 --> 00:29:48,833 THE HOUSE IS ON FIRE? 611 00:29:48,867 --> 00:29:50,367 YOU DON'T WANT HER TO CALL 911? 612 00:29:50,400 --> 00:29:52,500 IF OUR HOUSE CATCHES FIRE, I GUARANTEE YOU 613 00:29:52,533 --> 00:29:54,233 SHE'S THE ONE THAT STARTED IT. 614 00:29:54,267 --> 00:29:56,833 MY POINT IS THE DAY WILL COME WHEN WE NEED HER HELP, 615 00:29:56,867 --> 00:29:58,700 AND I DON'T WANT HER NOT TO HELP US 616 00:29:58,733 --> 00:30:00,567 JUST BECAUSE OF SOME SILLY FEUD. 617 00:30:03,067 --> 00:30:04,667 FINE. I'LL DO IT. 618 00:30:04,700 --> 00:30:06,333 WOW. THANK YOU. 619 00:30:06,367 --> 00:30:08,267 YOU KNOW, WHOEVER CAME UP WITH THE MOTTO 620 00:30:08,300 --> 00:30:10,133 "LOVE THY NEIGHBOR" CLEARLY LIVED 621 00:30:10,167 --> 00:30:11,567 NOWHERE NEAR CAROLYN McCLUSKEY. 622 00:30:11,600 --> 00:30:14,700 YES, WELL, ON VALENTINE'S DAY, 623 00:30:14,733 --> 00:30:17,833 THE ONLY MOTTO THAT REALLY MATTERS IS, YOU KNOW, 624 00:30:17,867 --> 00:30:19,600 LOVE THY HUSBAND. 625 00:30:19,633 --> 00:30:21,733 REALLY? I-I RECALL NO SUCH MOTTO. 626 00:30:21,767 --> 00:30:23,100 HMM. 627 00:30:23,133 --> 00:30:24,467 HMM? 628 00:30:29,500 --> 00:30:32,433 I MEAN, I UNDERSTAND WHY YOU WOULD WANT TO HAVE KIDS, 629 00:30:32,467 --> 00:30:35,167 BUT THAT CHAPTER OF MY LIFE IS JUST CLOSED. 630 00:30:35,200 --> 00:30:37,267 YOU KNOW, I-I DON'T THINK I CAN GO BACK THERE. 631 00:30:37,300 --> 00:30:39,700 AND SO, YOU KNOW, GIVEN THE WAY I FEEL 632 00:30:39,733 --> 00:30:42,333 AND GIVEN THE WAY I THINK YOU FEEL... 633 00:30:43,867 --> 00:30:45,633 OH, GOD. 634 00:30:45,667 --> 00:30:48,400 YOU'RE NOT TAKING THIS WELL. OH, I WAS AFRAID OF THIS. 635 00:30:50,433 --> 00:30:53,200 UM... 636 00:30:54,633 --> 00:30:56,400 WHAT? 637 00:30:56,433 --> 00:30:58,833 I GOT TO GO. 638 00:30:58,867 --> 00:31:00,700 WHAT? 639 00:31:00,733 --> 00:31:02,700 I'M SORRY. 640 00:31:02,733 --> 00:31:06,533 I DON'T BELIEVE THIS. 641 00:31:06,567 --> 00:31:08,433 YOU'RE -- YOU'RE LEAVING WITHOUT EVEN TRYING 642 00:31:08,467 --> 00:31:10,100 TO TALK ME INTO HAVING YOUR BABY? 643 00:31:10,133 --> 00:31:11,733 I MEAN, HOW DO YOU KNOW I WOULDN'T CAVE? 644 00:31:11,767 --> 00:31:13,833 I ALWAYS CAVE. I -- 645 00:31:13,867 --> 00:31:15,700 MIKE?! 646 00:31:29,500 --> 00:31:31,767 GOOD NIGHT. 647 00:31:31,800 --> 00:31:33,067 GOOD NIGHT. 648 00:31:41,867 --> 00:31:46,300 SO HOW DOES THIS DOMINATION THING WORK? 649 00:31:52,567 --> 00:31:54,367 SO THERE'S NOTHING TO BE AFRAID OF. 650 00:31:54,400 --> 00:31:56,733 I MEAN, MOSTLY, WE'LL JUST BE CONSTRUCTING SIMPLE SCENARIOS 651 00:31:56,767 --> 00:31:58,700 AND ACTING THEM OUT. 652 00:31:58,733 --> 00:32:01,233 SO IT'S LIKE WE'RE IN A LITTLE PLAY. 653 00:32:01,267 --> 00:32:03,467 SORT OF. 654 00:32:03,500 --> 00:32:05,667 AND IF THINGS DO GET TOO ROUGH, 655 00:32:05,700 --> 00:32:06,800 WE'LL HAVE A CONTROL WORD. 656 00:32:06,833 --> 00:32:09,233 IF ONE OF US SAYS IT, THE OTHER BACKS OFF IMMEDIATELY. 657 00:32:09,267 --> 00:32:12,233 OKAY. SO WHAT'S OUR CONTROL WORD? 658 00:32:12,267 --> 00:32:14,100 WELL, LATELY... 659 00:32:14,133 --> 00:32:15,533 I'VE BEEN USING PHILADELPHIA. 660 00:32:17,833 --> 00:32:19,833 WHAT'S WRONG? 661 00:32:19,867 --> 00:32:20,833 WELL, IT'S JUST THAT 662 00:32:20,867 --> 00:32:22,633 MY AUNT FERN LIVES IN PHILADELPHIA, 663 00:32:22,667 --> 00:32:24,200 AND I DON'T WANT TO BE THINKING ABOUT HER 664 00:32:24,233 --> 00:32:27,067 WHILE I'M SPANKING YOU WITH A LEATHER STRAP. 665 00:32:27,067 --> 00:32:29,467 OKAY. FINE. 666 00:32:29,500 --> 00:32:30,833 YOU PICK A CONTROL WORD. 667 00:32:30,867 --> 00:32:32,333 UM... 668 00:32:32,367 --> 00:32:34,167 HOW ABOUT BOISE? 669 00:32:34,200 --> 00:32:36,567 BOISE? 670 00:32:36,600 --> 00:32:38,633 WHAT'S THE MATTER WITH BOISE? 671 00:32:38,667 --> 00:32:40,233 WE'RE GOING TO BE DOING 672 00:32:40,267 --> 00:32:42,467 PSYCHOLOGICAL ROLE-PLAYING HERE, BREE, 673 00:32:42,500 --> 00:32:45,633 AND A FUNNY WORD LIKE BOISE WILL RUIN THE MOOD. 674 00:32:45,667 --> 00:32:47,767 WE NEED SOMETHING THAT SOUNDS SERIOUS. 675 00:32:47,800 --> 00:32:50,533 HMM. 676 00:32:50,567 --> 00:32:53,433 HOW ABOUT PALESTINE? 677 00:32:55,667 --> 00:32:57,733 BOISE WILL BE JUST FINE. 678 00:32:57,767 --> 00:33:03,367 SO I GUESS WE SHOULD, UH, GET STARTED. 679 00:33:03,400 --> 00:33:05,333 WHAT DO YOU WANT ME TO DO? 680 00:33:07,400 --> 00:33:09,100 HANDCUFF ME TO THE BED. 681 00:33:09,133 --> 00:33:11,100 BREE, YOU ARE NOT GOING TO REGRET 682 00:33:11,133 --> 00:33:13,467 TAKING THIS JOURNEY WITH ME. 683 00:33:13,500 --> 00:33:15,667 THIS IS GOING TO INFUSE OUR MARRIAGE 684 00:33:15,700 --> 00:33:18,300 WITH MORE PASSION THAN YOU CAN IMAGINE. 685 00:33:18,333 --> 00:33:20,233 YOU JUST HAVE TO TRUST ME. 686 00:33:20,267 --> 00:33:23,600 I DO. 687 00:33:25,433 --> 00:33:30,067 WOULD YOU MIND IF I RAN THESE THROUGH THE DISHWASHER ONCE? 688 00:33:30,100 --> 00:33:32,533 SURE. 689 00:33:32,567 --> 00:33:34,667 YOU CAN WAIT HERE. YOU CAN GO IN TO SEE HIM 690 00:33:34,700 --> 00:33:36,600 AS SOON AS THE DOCTOR'S FINISHED. 691 00:33:36,633 --> 00:33:38,400 OH, OKAY. THANKS. 692 00:33:41,333 --> 00:33:43,167 CAN YOU BELIEVE THAT STORY? 693 00:33:43,200 --> 00:33:44,400 PLEASE. THERE'S NO WAY 694 00:33:44,433 --> 00:33:46,133 THAT GUNSHOT WOUND WAS SELF-INFLICTED. 695 00:33:46,167 --> 00:33:47,600 FUNNY HOW HE CAN'T SEEM TO REMEMBER 696 00:33:47,633 --> 00:33:48,833 WHO STITCHED HIM UP. 697 00:33:48,867 --> 00:33:50,767 WELL, THE POLICE ARE ON THEIR WAY TO TALK TO HIM. 698 00:33:50,800 --> 00:33:53,133 LET THEM SORT IT OUT. 699 00:34:12,767 --> 00:34:14,733 SORRY ABOUT RUINING DINNER. 700 00:34:14,767 --> 00:34:17,733 OH, PLEASE. I'M JUST GLAD YOU'RE OKAY. 701 00:34:22,167 --> 00:34:24,433 SO... 702 00:34:24,467 --> 00:34:27,367 YOU SHOT YOURSELF? 703 00:34:27,400 --> 00:34:31,633 PRETTY LAME, HUH? 704 00:34:31,667 --> 00:34:35,133 YEAH, I WAS JUST CLEANING MY AUTOMATIC, AND... 705 00:34:35,167 --> 00:34:37,300 I WAS TOO EMBARRASSED TO TELL YOU. 706 00:34:37,333 --> 00:34:39,367 WELL... 707 00:34:39,400 --> 00:34:41,800 I CAN SEE WHY YOU WOULD BE. 708 00:34:41,833 --> 00:34:43,733 I KNOW IT SOUNDS CRAZY. I JUST -- 709 00:34:43,767 --> 00:34:46,733 I COULDN'T LET MYSELF RUIN YOUR VALENTINE'S DAY. 710 00:34:46,767 --> 00:34:49,633 BUT I HEARD WHAT YOU SAID 711 00:34:49,667 --> 00:34:51,267 AT THE RESTAURANT 712 00:34:51,300 --> 00:34:53,100 ABOUT NOT WANTING KIDS. 713 00:34:53,133 --> 00:34:55,167 WE DON'T HAVE TO TALK ABOUT THAT NOW. 714 00:34:55,200 --> 00:34:57,600 NO, SUSAN... 715 00:34:57,633 --> 00:34:59,433 I JUST WANT TO BE WITH YOU 716 00:34:59,467 --> 00:35:02,233 ABOVE EVERYTHING ELSE. 717 00:35:02,267 --> 00:35:05,533 IF THAT MEANS NOT BEING A DAD... 718 00:35:05,567 --> 00:35:09,733 I MAY BE STUPID ENOUGH TO SHOOT MYSELF, 719 00:35:09,767 --> 00:35:14,200 BUT I'M NOT STUPID ENOUGH TO WALK AWAY FROM YOU. 720 00:35:16,167 --> 00:35:19,167 YOU KNOW THAT, RIGHT? 721 00:35:19,200 --> 00:35:21,067 YEAH. 722 00:35:24,133 --> 00:35:27,667 I'M GOING TO GO OUTSIDE AND... 723 00:35:27,700 --> 00:35:30,200 LET YOU REST FOR A WHILE. 724 00:35:33,733 --> 00:35:36,400 THANKS... 725 00:35:36,433 --> 00:35:39,467 FOR BEING SO UNDERSTANDING. 726 00:35:49,733 --> 00:35:50,800 MA'AM. 727 00:35:53,167 --> 00:35:55,167 EXCUSE ME, MR. DELFINO, 728 00:35:55,200 --> 00:35:58,267 I'M OFFICER RUSSELL. THIS IS OFFICER WALTERS. 729 00:35:58,300 --> 00:36:00,233 I'D LIKE TO ASK YOU A FEW QUESTIONS. 730 00:36:00,267 --> 00:36:02,367 SIR, IF YOU FEEL UP TO IT. 731 00:36:20,467 --> 00:36:21,800 WHAT DO YOU WANT? 732 00:36:23,633 --> 00:36:26,667 THE BOYS HAVE SOMETHING THEY'D LIKE TO SAY TO YOU. 733 00:36:31,300 --> 00:36:34,500 I HAVE SOME TEA HEATING ON THE STOVE. 734 00:36:34,533 --> 00:36:36,800 PERHAPS YOU'D BETTER COME INSIDE, BOYS. 735 00:36:42,067 --> 00:36:45,100 WHAT ABOUT YOU, LYNETTE? DO YOU HAVE ANYTHING TO SAY? 736 00:36:46,333 --> 00:36:48,067 NO. 737 00:36:48,100 --> 00:36:49,733 I'LL JUST WAIT OUT HERE. 738 00:36:49,767 --> 00:36:53,700 SUIT YOURSELF. 739 00:36:59,400 --> 00:37:02,600 YOU BOYS WANT SOME PEANUT BRITTLE? 740 00:37:02,633 --> 00:37:05,433 GO AHEAD. 741 00:37:05,467 --> 00:37:07,500 DON'T GET ANY CRUMBS ON MY FLOOR. MOVE OVER. 742 00:37:10,400 --> 00:37:13,233 OKAY. 743 00:37:13,267 --> 00:37:15,267 GO AHEAD. MAKE WITH THE APOLOGY. 744 00:37:17,067 --> 00:37:18,833 Boys: WE'RE SORRY. 745 00:37:18,867 --> 00:37:22,100 THAT'S IT, HUH? 746 00:37:22,133 --> 00:37:24,800 DIDN'T YOU KNOW THAT STEALING IS WRONG? 747 00:37:24,833 --> 00:37:26,600 HOW OLD ARE YOU, ANYWAY? 748 00:37:26,633 --> 00:37:27,733 WE'RE 6. 749 00:37:27,767 --> 00:37:29,100 AND HOW OLD ARE YOU? 750 00:37:29,133 --> 00:37:30,433 5. 751 00:37:30,467 --> 00:37:32,567 WELL, YOUR MOTHER JUST POPS THEM OUT, 752 00:37:32,600 --> 00:37:34,300 DOESN'T SHE? 753 00:37:34,333 --> 00:37:35,367 HOW OLD ARE YOU? 754 00:37:35,400 --> 00:37:38,133 HOW OLD DO YOU THINK? 755 00:37:38,167 --> 00:37:40,067 150. 756 00:37:40,100 --> 00:37:42,800 HURRY UP AND EAT YOUR PEANUT BRITTLE. 757 00:37:48,667 --> 00:37:50,600 WHO'S THAT? 758 00:37:53,433 --> 00:37:55,633 THAT'S MY LITTLE BOY. 759 00:37:55,667 --> 00:37:57,833 WHERE DOES HE LIVE? 760 00:37:57,867 --> 00:38:00,667 HE DIED WHEN HE WAS 12. 761 00:38:00,700 --> 00:38:02,267 HOW COME? 762 00:38:02,300 --> 00:38:05,267 HE GOT SICK. 763 00:38:05,300 --> 00:38:07,733 HE WAS A LITTLE TERROR LIKE YOU THREE. 764 00:38:09,367 --> 00:38:13,767 YOU WOULD HAVE LIKED HIM. 765 00:38:13,800 --> 00:38:16,067 NOW, ARE YOU DONE WITH THE PEANUT BRITTLE? 766 00:38:16,067 --> 00:38:18,800 LET'S GO. 767 00:38:21,767 --> 00:38:24,500 NOW, I WANT TO SAY SOMETHING TO YOU BEFORE YOU GO. 768 00:38:24,533 --> 00:38:27,400 WHAT YOU DID WAS WRONG, 769 00:38:27,433 --> 00:38:29,167 BUT IT'S NICE THAT YOU WANTED 770 00:38:29,200 --> 00:38:32,667 TO GET A PRESENT FOR YOUR MOM FOR VALENTINE'S DAY. 771 00:38:32,700 --> 00:38:37,733 NOBODY'S EVER GOING TO LOVE YOU LIKE YOUR MOTHER. 772 00:38:37,767 --> 00:38:40,367 ALL RIGHT, LET'S GO. 773 00:38:42,533 --> 00:38:44,533 GET THE HELL OUT OF MY HOUSE. 774 00:38:44,567 --> 00:38:47,167 Mary Alice: IN HER HEART, LYNETTE KNEW 775 00:38:47,200 --> 00:38:49,067 SHE WOULD PROBABLY NEVER LOVE HER NEIGHBOR, 776 00:38:49,100 --> 00:38:52,433 NEVER REALIZING THAT LOVE WAS THE ONE THING 777 00:38:52,467 --> 00:38:57,367 SHE AND HER NEIGHBOR HAD IN COMMON. 778 00:39:07,700 --> 00:39:08,633 HEY. 779 00:39:08,667 --> 00:39:10,133 HEY, LYNETTE. 780 00:39:13,400 --> 00:39:15,433 UM... WHAT'S WRONG? 781 00:39:15,467 --> 00:39:18,333 MY KIDS HAVE BEEN ON KIND OF A THIEVING JAG, 782 00:39:18,367 --> 00:39:20,533 STEALING STUFF FROM AROUND THE NEIGHBORHOOD. 783 00:39:20,567 --> 00:39:21,767 I'M SO SORRY. 784 00:39:21,800 --> 00:39:23,633 I KNOW. THEY'RE BEING PUNISHED, 785 00:39:23,667 --> 00:39:25,467 PROBABLY FOR LIFE. 786 00:39:25,500 --> 00:39:28,733 BUT I NEEDED YOU TO SEE SOMETHING. 787 00:39:28,767 --> 00:39:32,233 THEY SAID THEY STOLE IT FROM MIKE'S GARAGE, 788 00:39:32,267 --> 00:39:33,667 FROM INSIDE HIS WORKBENCH. 789 00:39:33,700 --> 00:39:35,100 YOUR MIKE. 790 00:39:40,367 --> 00:39:41,667 SO? 791 00:39:41,700 --> 00:39:44,133 READ THE ENGRAVING. 792 00:39:49,733 --> 00:39:52,733 IS THAT BLOOD? 793 00:39:52,767 --> 00:39:55,200 I DON'T KNOW. 794 00:39:55,233 --> 00:39:58,267 WHAT -- WHAT DOES THIS MEAN? 795 00:39:58,300 --> 00:40:00,500 I DON'T KNOW. 796 00:40:10,433 --> 00:40:15,367 IT'S IMPOSSIBLE TO GRASP JUST HOW POWERFUL LOVE IS. 797 00:40:15,400 --> 00:40:19,600 IT CAN SUSTAIN US THROUGH TRYING TIMES... 798 00:40:22,533 --> 00:40:27,333 OR MOTIVATE US TO MAKE EXTRAORDINARY SACRIFICES. 799 00:40:29,533 --> 00:40:34,500 IT CAN FORCE DECENT MEN TO COMMIT THE DARKEST DEEDS... 800 00:40:34,533 --> 00:40:37,500 OR COMPEL ORDINARY WOMEN... 801 00:40:38,733 --> 00:40:43,800 TO SEARCH FOR HIDDEN TRUTHS. 802 00:40:43,833 --> 00:40:46,067 AND LONG AFTER WE'RE GONE, 803 00:40:46,100 --> 00:40:51,267 LOVE REMAINS, BURNED INTO OUR MEMORIES. 804 00:40:53,100 --> 00:40:55,567 WE ALL SEARCH FOR LOVE, 805 00:40:55,600 --> 00:40:57,767 BUT SOME OF US... 806 00:40:57,800 --> 00:41:00,767 AFTER WE'VE FOUND IT... 807 00:41:00,800 --> 00:41:02,733 WISH WE HADN'T.